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Showing posts with label Aaron Sorkin. Show all posts
Showing posts with label Aaron Sorkin. Show all posts

Tuesday, August 28, 2012

Saltzman Sees...The Newsroom

The greatest show on TV is not a reality television monstrosity, or a sitcom, or even a talent show.  The greatest show on TV is Aaron Sorkin's Newsroom. In true Sorkin fashion, he shines a bright light on flaws in society while shining a brighter light on flaws in his characters in the show.  Newsroom is the perfect blend of Sorkin's two previous television shows, Sports Night and West Wing.  Sports Night's cast of characters are almost mirror images of the main characters in The Newsroom.  On top of that, the issues the news show discusses are heavy into politics and the current political landscape of our country.  The writing style is all Sorkin, which is music to the ears of fans of West Wing.  As one of Sports Night's biggest fans, Newsroom is Sorkin's comeback to the news show.  Sports Night was cancelled after just two seasons, and with the backing of HBO and the star power of Jeff Daniels, Emily Mortimer and Sam Waterson, the Newsroom should be broadcasting for several seasons to come.  Sunday night was the final episode in a 10 episode season for the new show, and it ended in a full circle way that Sorkin is known for.  If you never had a chance to watch an episode, go to HBO GO and start from the beginning.  It is a brilliant show about real issues in America, and a strong enough take on those issues to be entertaining and insightful. 


Friday, March 2, 2012

Saltzman Sees...2010 Oscars

2010 Nominees & Award Winners of My Oscars

  • Best Picture

  • 127 Hours
    The King's Speech
    The Social Network
    Temple Grandin

  • Best Director

  • Darren Aronofsky (Black Swan)
    Danny Boyle (127 Hours)
    Joel & Ethan Coen (True Grit)
    David Fincher (The Social Network)

  • Best Screenplay

  • Danny Boyle & Simon Beaufoy (127 Hours)
    Joel & Ethan Coen (True Grit)
    David Seidler (The King's Speech)
    Aaron Sorkin & Ben Mezrich (The Social Network)

  • Best Family Picture

  • Despicable Me
    How To Train Your Dragon
    Shrek Forever After
    Toy Story 3


  • Best Actor

  • Leonardo DiCaprio (Inception & Shutter Island)
    Colin Firth (The King's Speech)
    James Franco (127 Hours)
    Sam Rockwell (Conviction)

  • Best Actress

  • Claire Danes (Temple Grandin)
    Natalie Portman (Black Swan)
    Emma Stone (Easy A)
    Hilary Swank (Conviction)

  • Best Supporting Actor

  • Christian Bale (The Fighter)
    Jeremy Renner (The Town)
    Geoffrey Rush (The King's Speech)
    Denzel Washington (Unstoppable)

  • Best Supporting Actress

  • Amy Adams (The Fighter)
    Mila Kunis (Black Swan & Book of Eli)
    Melissa Leo (The Fighter)
    Hailee Steinfeld (True Grit)

  • Best Ensemble Cast

  • The Fighter
    Flipped
    The King's Speech
    Temple Grandin

To see all the movies I've seen in 2010, Click Here

Thursday, March 1, 2012

Tuesday, January 31, 2012

Saltzman Sees...Moneyball (2011)

 [Nominated for 7 Oscars, including Best Picture, Best Adapted Screenplay - Steven Zaillian, Aaron Sorkin and Stan Chervin, Best Actor - Brad Pitt and Best Supporting Actor - Jonah Hill, as well as Film Editing and Sound Mixing by the Academy of Arts]


Saltzman Sees... Moneyball is the story of the have-nots and their struggle to compete.  It is the story of Billy Beane, who is trying to find a way to win a rigged game.  His ideas for how to adapt are met with resistance from everyone, including people in his organization.  Ultimately it is a story that says if you believe in something strong enough, it just might work.

Brad Pitt gives a strong performance as Beane, but it certainly is not along the lines of Tyler Durdin in Fight Club or Mickey in Snatch. Brad Pitt's best scene might be his most toned down moment.  When he explains to Jonah Hill's character "Peter Brand" why he decides to stay in Oakland rather than move to Boston, it explains all you ever need to know about Billy Beane.  Pitt's portrayal makes the movie, considering the movie's apex is a 20 game win streak they almost forget to mention.  Hill is also strong as the soft spoken and brilliant "Brand" who is deliberately loosely based on Paul DiPodesta.  This isn't the best baseball movie ever (Field of Dreams, Bull Durham or The Natural) or even the best true story about baseball (The Rookie, Bang the Drum Slowly, A League of Their Own or Eight Men Out) but it was captivating and it was true to the American Pastime.